THE CURSE OF BRIDGE HOLLOW: Official Trailer

THE CURSE OF BRIDGE HOLLOW: OFFICIAL TRAILER


ROLLING STONE: Johnny Knoxville on 'Bad Grandpa' Oscar Nomination

Johnny Knoxville on 'Bad Grandpa' Oscar Nomination: 'What an Honor'

Jokes he's 'stunned' it didn't get a Best Picture nod too

Johnny Knoxville Brad Hunter/Newspix/Getty Images

Amid the many surprising Oscar nominations this morning – U2, Karen O and Christian Bale – one stood above the rest: Jackass Presents: Bad Grandpa could win an Academy Award in March, as lead makeup effects artist Stephen Prouty was nominated for Best Makeup and Hairstyling. In the category, the elderly transformation he and his team gave Johnny Knoxville is up against the teams behind Dallas Buyers Club and The Lone Ranger.

"What an honor that Stephen Prouty got nominated for best makeup and hairstyling for Jackass Presents: Bad Grandpa," Knoxville said in a statement.  "Am I as stunned as everyone else we didn't get the nod for Best Picture? Well, of course, duh. But I won't let that take away from my happiness for Steve, Tony Gardner and our whole makeup team. Wahoo!"

When Bad Grandpa came out in October, it knocked Gravity out of the top spot on the box office, raking in an estimated $32 million in its first week. Since the movie's release, Bad Grandpa director Jeff Tremaine has moved onto another project: Mötley Crüe's biopic The Dirt. "I've been careful to make this a natural progression," Tremaine said at the time. "I've been offered a lot of scripts, but Dirt is something I pursued with everything I had. I've wanted to make this going back to 2001, when we were just planning the first Jackass movie and I found out that David Gale at MTV Films had just optioned the book."

Knoxville and the gang will find out if the movie wins an Academy Award at the ceremony on March 2nd. The show will be broadcast on ABC beginning at 7 p.m. EST.

Original Article


HAIRSPRAY: Special Thanks

Alterian Inc. thanking all of the talented artists responsible for bringing Edna to life.


DICKHOUSE.TV: Tony Gardner and The Bust of Irving Zisman

In the final lap to the Oscars, in which a little ol' movie called Jackass Presents: Bad Grandpa is nominated in the "Best Makeup & Hairstyling" category, here's a look at the man who has been behind the prosthetic design of Irving Zisman since 2001: Tony Gardner of Alterian, Inc. Tony, still riding high on the Alterian crew's win at the recent Hollywood Makeup Artists & Hair Stylists Guild Awards, stopped by the office yesterday to present Johnny Knoxville with this eerily lifelike sculpt of Irving. Who knows, maybe if we take the Oscar (fingers crossed!) he'll come by with a full-body life-size nude of Gloria for Tremaine. Perchance to dream!

(Photo by Sean Cliver; 2014)


THE PLAIN DEALER | "Hairspray" effects man from North Olmsted transforms Travolta

North Olmsted native Tony Gardner creates John Travolta's fat suit for 'Hairspray'

Plain Dealer Reporter
If John Travolta were a plus-size, middle-age woman, what size bra would he wear?
The answer is lost to history. The man in a position to know -- "Hairspray" makeup-effects designer Tony Gardner -- didn't jot it down. "Once we were into triple letters, I kinda lost track," he said.
Gardner created the fat suit that transformed Travolta into Edna Turnblad, the overprotective, foodaholic mom of Tracy Turnblad in "Hairspray." The movie adaptation of the musical opened Friday.
Gardner is co-owner and lead designer for Alterian Inc., an Irwindale, Calif., company specializing in makeup and animatronic effects. Alterian worked on movies such as "Shallow Hal," "Three Kings" and "Adaptation." It is also behind the Geico cavemen commercials and upcoming television series.
But "Hairspray" is Gardner's biggest movie job so far. When Gardner, 42, was hired, the producers told him if Edna didn't work, they didn't have a film. "The pressure was on in the very, very beginning," said Gardner, who grew up in North Olmsted.
Travolta said he wanted to look like a curvy girl who grew up to be a mom. Gardner frequently e-mailed rough drafts of possible looks to the actor. "He's the one who has to wear it," Gardner said. "Everything he said was great."
The effects staff started work about three months before filming began. In early 2006, Gardner and his crew flew to Travolta's home near Orlando to do a life cast. Travolta stood on a tarp in his garage, which houses his extensive car collection, while effects specialists wrapped his body with plaster bandages to make a cast. He sat to have his head and shoulders covered with a masklike substance.
Later, fiberglass duplicates made from the plaster bandage mold and mask were formed into a full-standing duplicate body.
Gardner designed a body suit filled with a lightweight synthetic material, with pads overlaid like shingles to add heft. Silicone was used from the chest up; it had the added bonus of covering Travolta's beard. "I didn't want the guy growing through makeup in the middle of the day," Gardner said.
The first suit made Travolta look like "a dumpy, Alfred Hitchcock version of Edna," Gardner said. Validation came when Travolta, in character and makeup, greeted his fellow actors during a rehearsal in Toronto. No one recognized him. Then the actors broke into applause.
"It was what I needed as an artist and what John needed as a performer," Gardner said.


LOS ANGELES TIMES | ENTERTAINMENT: "Shallow Hal" Fat Suit Not Just Skin-Deep

'Shallow Hal' Fat Suit Not Just Skin-Deep

Even behind the scenes, Gwyneth Paltrow's form-fitting costume takes on a larger meaning.

November 07, 2001|ANDRE CHAUTARD | SPECIAL TO THE TIMES

Audiences have come to expect the outrageous from the Farrelly brothers, the directing duo behind the gross-out gags of "There's Something About Mary." But their new comedy, "Shallow Hal," offers perhaps the most shocking sight of all: famously svelte Oscar winner Gwyneth Paltrow emoting while encased in a fat suit.

In the 20th Century Fox film, which opens Friday, the looks-obsessed title character, played by "High Fidelity's" Jack Black, receives the ability to see women's exteriors reflect their inner beauty. Thus he sees Paltrow's good-hearted Rosemary as the actress' 120-pound self, while others see Rosemary in all her 350-pound girth.

The challenge of making Paltrow recognizable through the prosthetic makeup, wig and layers of foam and spandex fell to makeup-effects designer Tony Gardner. "No one had really taken a woman in a [fat] suit this far before," Gardner says.

Beginning with a body cast of Paltrow, the makeup effects team took three months to perfect the heavy makeup and construct her form-fitting suit, which actually weighed only about 25 pounds. Working on someone as thin as Paltrow was a plus, because her body formed a very solid, non-flabby understructure. The makeup was more difficult because Gardner had to preserve her most distinctive facial features, her cheekbones and jawline.

"It's a weird Catch-22," Gardner says, "because you need for people to see her enough to know that it's her, but you need to bury her in it successfully enough so that it moves realistically."

Paltrow's suit needed to be designed for mobility as well as form; ultimately, Gardner had multiple suits built at his Los Angeles shop to simulate how weight shifted when she was sitting, standing and running. The suits were built in pieces: an upper body that zips up the spine and a lower half, from the 48-inch waist to the kneecaps, that zips up the front like a pair of pants. In addition, there were separate pieces for each calf and gloves for her hands made of silicone. (The prostheses were built by Artist's Asylum.)The first time Paltrow saw herself in the full suit and makeup, at a test in a New York hotel room before filming began, she was overwhelmed. "I had a thousand emotions. I was laughing and crying, and I was shocked and loved it," she says. "It was very intense."

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FILM COMMENT: HOLY COW! Serious Fun with Jim Carrey and the Farrellys

FILM COMMENT Magazine cover for "Me, Myself & Irene" article.


FOXNEWS.COM: Meet the Real Grandpa Behind the Oscar-Nominated "Bad Grandpa"

Meet the Real Grandpa Behind the Oscar-nominated “Bad Grandpa”

Johnny Knoxville’s elderly character in “Jackass Presents: Bad Grandpa” was based on an actual person, says the film’s makeup effects designer Tony Gardner, whose company's work in the film has been nominated for an Academy Award this year.
“It’s true,” Gardner stated, “Johnny Knoxville’s character, ‘Irving Zisman,’ was based on a real person…someone from Cleveland, Ohio, actually. It’s important to state up-front though that the person we referenced for “Bad Grandpa” was referenced more for their looks than their antics.” Gardner added, “Our reference model was definitely a character, but not enough of one to join the lineup at a strip club or get up close and personal with a soda machine like Irving did.”

Johnny Knoxville's old man character first sprang to life in 2001 on the "Jackass" television series as more of a disguise for Johnny Knoxville's antics. “Then, when Johnny was paired up with an elderly actress named Dottie Barnett as his character’s wife for the first film, we decided to lighten up the old man's look, and actually re-sculpted several of his facial prosthetics with less intense features. For the finale sequence of the first feature, 'Jackass: The Movie,’ we were tasked with putting all nine of the cast members into old age prosthetics as elderly versions of themselves, including Johnny, so we ended up altering Johnny’s prosthetic makeup yet again so that the new version was more of a physical match to Johnny’s features."“'Irving Zisman proper' was actually created in 2006 for ‘Jackass Number Two,'" said Gardner. "Johnny was up for going into prosthetics again for the sequel to the first film, and Producer Spike Jonze wanted to get involved in the antics as an old lady, so ... the characters of Irving Zisman and his lady friend Gloria were born.”The intent with Irving for ‘Jackass Number Two’ was to revise him to make him a kindler, gentler Grandpa figure, but one that was doing things that weren’t so kind.  One of the skits for the 2006 film (titled appropriately “Bad Grandpa,” http://alterianinc.com/jackass-number-two-johnny-knoxvill...), involved Grandpa and a child actor out and about town, messing with the unsuspecting public as grandfather and grandson, so the goal was to make Irving even friendlier than he'd been so far. The need for a solid, softer Irving for "Jackass Number Two" was where the real-life Grandpa reference came into play.

“The Grandfather that we referenced for Irving back then was my own Grandfather, actually,” admitted Gardner. “Mr. Fred Cooke from Fairview Park, Ohio….my mother’s father. We had his photos around the shop back then, and used them as character reference for Irving. We used him for so many elements, really... the mustache, the glasses, high collared shirt, the receding hairline, length of sideburns, the shape of the nose, the jawline....the only changes that differed from our reference material were minor. We whitened up his hair and messed it up, gave him rosacea, and turned his mustache into more of a handlebar mustache … little character traits, really, with the hope that people would notice and focus more on those aspects than on the fact  that they were interacting with a thirty-something actor wearing prosthetic makeup.”

Irving and Gloria were a big hit in “Jackass Number Two,” which meant they'd be back for the next film, and their appearances would need to be altered yet again, but for different reasons. It had only been two years since “Jackass Number Two” had been released, and "Number Two's" version of Irving was all over the Internet. “The whole point originally was to make Johnny unrecognizable so that he could blend in with real people and prank them, and now all of a sudden we had to disguise these fictional characters from looking like the last public incarnation of  these same fictional characters. So, Gloria gained about 200 pounds, and Irving’s cheekbones and chin were built out to make his face more angular, his skin texture was roughened up, and we made him a bit better groomed overall."

"Cut to six years later, and we’re getting ready to start work on what would become 'Jackass Presents: Bad Grandpa,' knowing that we have to change up Irving’s look yet again, to 'disguise Irving from being recognizable as Irving.' Without intending so, by reducing the mass of the makeup overall, we really fell back into the “Jackass Number Two” / Fred Cooke look for the character."

"My intent was to alter the broad shapes of his silhouette, but also bring the makeup in closer to his real features everywhere else so that it could be thinner and Johnny could be more expressive. The ears would be bigger and the hair altered so that his outline was different from the front, and altering his nose and hairline would change his appearance in profile.  Smaller things were tweaked a bit as well, like widening the base of his nose."

“Once we had our first makeup (and only) makeup test at Alterian, we all agreed to thin out Irving’s hair as one more way to make the character look different from his previous incarnations. I had done a test makeup on a bust of Johnny Knoxville in advance of our makeup test on the actor just for peace of mind, and once we had that new thinner wig, I put it on the bust …and well, Fred Cooke just kind of jumped back out of the design again.”

“I think that subconsciously maybe I was steering the ”Bad Grandpa” character in that direction as we were putting him together. The hair, the style of glasses, widening the nose, all of that. By the time it all came together you’d only need to darken the hair and add a bolo tie to channel Fred Cooke...or at least his brother. Then on set our lead artist on this character, Steve Prouty, gave Irving a bit of a tan and slicked his hair down a bit flatter too, which made him appear even more like our original reference material. We weren't trying to create a likeness makeup of Fred, obviously, but from certain angles he'd show up every now and then.”

“What would make more sense than to base a “grandfatherly” character on your own grandparent, right?" Gardner recalls, "I remember during ‘Jackass Number Two’ not wanting to clue my mother into what I was doing with the Irving character, as being part of a Jackass movie didn’t seem like the best way to honor the memory of her father. But now that the makeup in “Bad Grandpa” has been nominated for an Academy Award for Makeup & Hair Styling, I think it’s okay to fess up, and I’m hoping that maybe she’ll see things aren’t so bad after all."